Ulrike Hamm
| 1962 | Born in Bad Segeberg, Germany |
|---|---|
| 1978–1981 | Trained as a goldsmith in Hamburg |
| 1991–1996 | Studied Jewelry and Everyday Objects Design at the School of Design of Pforzheim’s University |
| since 1996 | Has been working in her atelier in Berlin |
“Jewelry is part of our non-verbal communication, and parchment has been a medium of communication since time immemorial,” says Ulrike Hamm who is intrigued by this material’s particular properties: “It is unruly, mysterious, lively, precious, unpredictable ….” In short, it’s not off the shelf. While in leather production, tanning agents are used to preserve the fibers’ flexibility, precisely this is avoided in the manufacture of parchment. As a result of gradual and careful drying, parchment is lightweight and pliable but not elastic. And even after many years of use, it rarely tears or breaks. Inspired by its unique properties, Ulrike Hamm has set herself the goal of exploring the unexpected options it presents as a jewelry material.

Availability
www.anmut-kuehnheit.de
“A11_IV bracelet“, 2011
Interlaced pieces of dyed calfskin parchment. Ø 10 cm. Photo: Hanna Lippmann.
An eminently sculptural and ornamental piece of jewelry in subtle colors.

“Ear Tulips O15”, 2005
Dyed calfskin parchment and 925 oxidized gold. 6 cm long. Photo: Hanna Lippmann.
Skillfully designed floral symbolism.

“A11_VI bracelet”, 2011
Interlaced pieces of dyed calfskin parchment. Ø 10 cm. Photo: Hanna Lippmann.
Parchment rediscovered as a medium of communication.